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Hammer Museum
Good Showing
Behind the Frame
Behind the Frame evaluates 40 of the nation's leading art museums across three areas: their policies, their representation of Jewish art and artists and their partnerships and community engagement. These criteria assess a museum’s record and its current approach to addressing antisemitism. Collections and exhibitions reflect long-lead decisions museums plan five to ten years in advance, while policies and inclusion practices signal how prepared an institution is for the future and the evolving nature of antisemitism. Each museum receives a rating — from Critical Condition to Gold Standard — based on how it measures up.
As the ADL Center on Extremism has documented, extremist activists have facilitated coordinated efforts since October 7, 2023 to push Jewish and Israeli voices out of mainstream cultural spaces, with the impact felt at the staff, curator and visitor levels. Most American museums hold significant collections of Jewish art, but owning the work is not enough. Policies, programming and inclusion commitments must protect and feature Jewish artists, staff and patrons amid rising antisemitism. These criteria assess both a museum’s record and its current approach to addressing antisemitism.

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Gold Standard
Good Showing
Work In Progress
Not Inclusive
Critically Deficient

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Good Showing
Work In Progress
Good Showing
Good Showing
*Points deducted for problematic incidents.
The Hammer Museum is a Los Angeles art museum in Westwood, founded by businessman and collector Armand Hammer and opened in 1990. Now affiliated with UCLA, the museum combines a contemporary exhibition program with historical collections, including the Grunwald Center for the Graphic Arts, and is known for presenting emerging and established artists alongside public programs.
The Hammer has Jewish representation in its collection, including Chagall, R.B. Kitaj, Deborah Kass, and works with explicitly Jewish subjects. Furthermore, first established in 1956, the Grunwald Center Collection is a permanent collection of more than 45,000 works on paper first donated by Fred Grunwald, a businessman, art collector, and German Jew who fled the Nazis in 1939. The Hammer has stewarded this collection since 1994, including a dedicated study center open to the public. In 2022, the Hammer opened an expanded study center and a dedicated gallery for works on paper and primarily for the display of works from the Grunwald Collection. In 2026, the Hammer Museum celebrated the 70th anniversary of the Grunwald Center with a special exhibition celebrating its history through a selection of significant works and a dedicated section on the story of Fred Grunwald.
Israeli representation is strong. Yael Bartana was featured in Witch Hunt, where the Hammer presented a newly commissioned film, Two Minutes to Midnight, alongside other works and related screenings. The Grunwald Center has also undertaken Nazi-era-specific loss and restitution research, a practice that stands out against peer contemporary museums.
As a UCLA-affiliated museum, the Hammer points toward university policies and its site explicitly references the University of California anti-discrimination policy that prohibits antisemitism. No museum-level protest and solicitation policy was identified.
Programming is a clear strength. The museum presented The Man Without a World with a live klezmer score and discussion, as well as a Bartana film program at the Billy Wilder Theater. Its Jewish institutional engagement is more limited than its programming record.
The Hammer Museum does not generally recognize heritage months, so the absence of Jewish American Heritage Month recognition is not separately penalized under the methodology.
The Hammer Museum faced several anti-Israel protests in 2024 connected to broader unrest on UCLA’s campus. In May 2024, faculty demonstrated outside the museum’s fundraising gala over the university’s response to anti-Israel student protesters, calling for the Chancellor’s resignation. The following month, another protest outside of the museum calling for a boycott of UCLA led the museum to lock its entrances and close early, disrupting scheduled programming.
The Hammer has demonstrated a willingness to program Jewish culture and present Jewish and Israeli artists in substantive ways. Stronger direct partnerships and clearer museum-level reporting and protest policies would help connect those programmatic successes to a stronger institutional framework.
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If you are an artist, writer, performer or member of the arts and culture community who has experienced or witnessed antisemitism, bias or discrimination, please Report an Incident to ADL. If you are seeking legal support, you can also submit a request to ADL’s Legal Action Network.