
Updated:
The Contemporary Austin
Critically Deficient
Behind the Frame
Behind the Frame evaluates 40 of the nation's leading art museums across three areas: their policies, their representation of Jewish art and artists and their partnerships and community engagement. These criteria assess a museum’s record and its current approach to addressing antisemitism. Collections and exhibitions reflect long-lead decisions museums plan five to ten years in advance, while policies and inclusion practices signal how prepared an institution is for the future and the evolving nature of antisemitism. Each museum receives a rating — from Critical Condition to Gold Standard — based on how it measures up.
As the ADL Center on Extremism has documented, extremist activists have facilitated coordinated efforts since October 7, 2023 to push Jewish and Israeli voices out of mainstream cultural spaces, with the impact felt at the staff, curator and visitor levels. Most American museums hold significant collections of Jewish art, but owning the work is not enough. Policies, programming and inclusion commitments must protect and feature Jewish artists, staff and patrons amid rising antisemitism. These criteria assess both a museum’s record and its current approach to addressing antisemitism.

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Gold Standard
Good Showing
Work In Progress
Not Inclusive
Critically Deficient

Updated:
Critically Deficient
Critically Deficient
Work In Progress
Not Inclusive
The Contemporary Austin is Austin’s museum dedicated to contemporary art, operating across two distinct sites: the Jones Center downtown and Laguna Gloria, a lakeside campus with an art school and sculpture park. Its program centers on living artists, exhibitions, commissions, public art, and contemporary art education.
Jewish representation is present in the collection and program, though the research identified minimal Jewish exhibition presence during the scoring window.
Israeli representation is more concrete. In 2016, the museum commissioned Ronen Sharabani’s Matchbox, a site-specific video installation created for The Contemporary Austin. The museum explicitly identified Sharabani as Israeli, and the project included institutional support tied to his Israeli background.
The museum provides accessibility and visitor contacts but no dedicated public pathway for reporting bias or discrimination. No public policy was found that explicitly prohibits antisemitism, and no sufficiently clear protest and solicitation policy was identified.
The museum has an institutional connection with the Contemporary Jewish Museum. It also hosted a Texas Book Festival conversation with Rebecca Clarren about her Jewish ancestors and the history of land in South Dakota, providing a substantive one-off Jewish-focused program. Overall, engagements with the Jewish community and Jewish educational programming have been minimal.
The Contemporary Austin does not generally recognize heritage months, so Jewish American Heritage Month is not separately scored.
The Contemporary Austin’s positive examples are isolated rather than sustained. Jewish exhibition presence and community engagement remain minimal, while the museum lacks a dedicated bias-reporting mechanism, explicit antisemitism protections and clear protest and solicitation policies. These gaps leave its overall approach fragmented and insufficient.
State of the Arts becomes an accessible public home for research, profiles, storytelling, and advocacy that can continue to grow over time.
If you are an artist, writer, performer or member of the arts and culture community who has experienced or witnessed antisemitism, bias or discrimination, please Report an Incident to ADL. If you are seeking legal support, you can also submit a request to ADL’s Legal Action Network.