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Solomon R. Guggenheim Museum
Good Showing
Behind the Frame
Behind the Frame evaluates 40 of the nation's leading art museums across three areas: their policies, their representation of Jewish art and artists and their partnerships and community engagement. These criteria assess a museum’s record and its current approach to addressing antisemitism. Collections and exhibitions reflect long-lead decisions museums plan five to ten years in advance, while policies and inclusion practices signal how prepared an institution is for the future and the evolving nature of antisemitism. Each museum receives a rating — from Critical Condition to Gold Standard — based on how it measures up.
As the ADL Center on Extremism has documented, extremist activists have facilitated coordinated efforts since October 7, 2023 to push Jewish and Israeli voices out of mainstream cultural spaces, with the impact felt at the staff, curator and visitor levels. Most American museums hold significant collections of Jewish art, but owning the work is not enough. Policies, programming and inclusion commitments must protect and feature Jewish artists, staff and patrons amid rising antisemitism. These criteria assess both a museum’s record and its current approach to addressing antisemitism.

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Gold Standard
Good Showing
Work In Progress
Not Inclusive
Critically Deficient

Updated:
Good Showing
Work In Progress
Good Showing
Good Showing
The Solomon R. Guggenheim Museum is a modern and contemporary art museum on New York City’s Fifth Avenue, housed in Frank Lloyd Wright’s landmark spiral building. The Guggenheim Foundation was established in 1937 around Solomon Guggenheim’s collection of nonobjective art, and its holdings have since expanded to include major works of European and American modernism and contemporary art.
The Guggenheim holds a meaningful body of Jewish art, including works by Chagall and other artists whose work engages Jewish history, memory, and identity. Its Thannhauser Collection also carries important Jewish historical context, even where that history is not itself the curatorial focus.
Multiple Israeli artists have been exhibited in the past decade and the museum holds works by artists including Yael Bartana, Ori Gersht, Yaacov Agam, and Michal Rovner.
The Guggenheim’s visitor rules are comparatively strong on demonstrations and solicitation, restricting charitable solicitation, leafleting, signature gathering, picketing, and press conferences. These content-neutral rules give the museum a clear basis for managing organized political activity inside the institution.
Visitors are largely directed to general contact information rather than a clearly defined reporting mechanism.
The Guggenheim’s most visible Jewish-focused recent program was its Works & Process commission and presentation of The Amazing Adventures of Kavalier & Clay opera. It also participates alongside the Jewish Museum in the Museum Mile Festival, providing another point of connection with a major Jewish cultural institution.
The museum recognizes several other heritage months but has historically not recognized Jewish American Heritage Month.
The Guggenheim benefits from substantial Jewish and Israeli collection holdings, clear policies on disruptive conduct and strong partnerships. Recurring educational programming and more comprehensive incident reporting mechanisms would further strengthen the museum’s approach.
State of the Arts becomes an accessible public home for research, profiles, storytelling, and advocacy that can continue to grow over time.
If you are an artist, writer, performer or member of the arts and culture community who has experienced or witnessed antisemitism, bias or discrimination, please Report an Incident to ADL. If you are seeking legal support, you can also submit a request to ADL’s Legal Action Network.