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Museum of Fine Arts, Boston
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Behind the Frame
Behind the Frame evaluates 40 of the nation's leading art museums across three areas: their policies, their representation of Jewish art and artists and their partnerships and community engagement. These criteria assess a museum’s record and its current approach to addressing antisemitism. Collections and exhibitions reflect long-lead decisions museums plan five to ten years in advance, while policies and inclusion practices signal how prepared an institution is for the future and the evolving nature of antisemitism. Each museum receives a rating — from Critical Condition to Gold Standard — based on how it measures up.
As the ADL Center on Extremism has documented, extremist activists have facilitated coordinated efforts since October 7, 2023 to push Jewish and Israeli voices out of mainstream cultural spaces, with the impact felt at the staff, curator and visitor levels. Most American museums hold significant collections of Jewish art, but owning the work is not enough. Policies, programming and inclusion commitments must protect and feature Jewish artists, staff and patrons amid rising antisemitism. These criteria assess both a museum’s record and its current approach to addressing antisemitism.

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Gold Standard
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Work In Progress
Not Inclusive
Critically Deficient

Updated:
Good Showing
Good Showing
Gold Standard
Good Showing
*Points deducted for problematic incidents.
The Museum of Fine Arts, Boston (MFA) was founded in 1870 and is one of the country’s largest comprehensive art museums. Located in Boston’s Fenway cultural district, its collection spans ancient to contemporary art and is particularly renowned for Egyptian, Japanese, American, European, and decorative arts holdings.
The MFA has deep Jewish representation, including Memory Unearthed, its Hyman Bloom exhibition, Rembrandt & the Jews, and the ongoing Intentional Beauty: Jewish Ritual Art gallery. Maintaining a dedicated gallery for Jewish ritual art stands out against peer institutions as a durable commitment rather than a one-time exhibition. Jewish artists and ceremonial objects are present across the collection, giving the museum both historical and contemporary depth.
Israeli representation is also substantial, including repeated Boston Israeli Film Festival presentations and artists such as Ori Gersht and Sigalit Landau. The museum’s Nazi-era provenance research program dates to 1998 and includes publicly documented restitution work.
The museum’s visitor rules clearly prohibit both protest conduct and solicitation. Its anti-discrimination training explicitly mentions antisemitism, a practice that stands out against peer institutions.
The main policy gap is public reporting. The MFA has an inclusion page and general contact information but no clearly identified visitor-facing mechanism for reporting incidents related to bias and antisemitism. Its public anti-discrimination policy names protected categories but does not name antisemitism directly.
The MFA’s partnerships are especially strong. It jointly acquired Myer Myers Torah finials with the Jewish Museum, partners on its annual Hanukkah celebration with the Vilna Shul and Combined Jewish Philanthropies, and has worked with the Boston Jewish Film Festival and Jewish Women’s Archive.
Programming includes a recurring Judaism-focused student curriculum, Hanukkah events, film discussions, and exhibition-related programs. The MFA acknowledged Jewish American Heritage Month in May 2026 through a hashtag on an Instagram post.
In 2024, MFA Boston’s Senior curator Kristen Gresh was criticized for using “resistance” framing and language characterizing events in Gaza as genocide. The museum has also long hosted the independently organized Boston Palestine Film Festival; in 2025, an MFA webpage for a Gaza shorts program described Gazans as enduring “two years of genocide,” drawing further criticism over the museum’s use of politically contested terminology.
The MFA demonstrates how Jewish representation, programming, partnership, training, and provenance can reinforce one another. A clear public reporting mechanism and direct policy language prohibiting antisemitism would make an already strong record even more complete.
State of the Arts becomes an accessible public home for research, profiles, storytelling, and advocacy that can continue to grow over time.
If you are an artist, writer, performer or member of the arts and culture community who has experienced or witnessed antisemitism, bias or discrimination, please Report an Incident to ADL. If you are seeking legal support, you can also submit a request to ADL’s Legal Action Network.