
Updated:
Saint Louis Art Museum
Work In Progress
Behind the Frame
Behind the Frame evaluates 40 of the nation's leading art museums across three areas: their policies, their representation of Jewish art and artists and their partnerships and community engagement. These criteria assess a museum’s record and its current approach to addressing antisemitism. Collections and exhibitions reflect long-lead decisions museums plan five to ten years in advance, while policies and inclusion practices signal how prepared an institution is for the future and the evolving nature of antisemitism. Each museum receives a rating — from Critical Condition to Gold Standard — based on how it measures up.
As the ADL Center on Extremism has documented, extremist activists have facilitated coordinated efforts since October 7, 2023 to push Jewish and Israeli voices out of mainstream cultural spaces, with the impact felt at the staff, curator and visitor levels. Most American museums hold significant collections of Jewish art, but owning the work is not enough. Policies, programming and inclusion commitments must protect and feature Jewish artists, staff and patrons amid rising antisemitism. These criteria assess both a museum’s record and its current approach to addressing antisemitism.

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Gold Standard
Good Showing
Work In Progress
Not Inclusive
Critically Deficient

Updated:
Work In Progress
Critically Deficient
Good Showing
Good Showing
The Saint Louis Art Museum, located in Forest Park, traces its roots to 1879 and occupies a building originally constructed for the 1904 World’s Fair. Its encyclopedic collection spans thousands of years and cultures, and free general admission remains central to the museum’s public mission.
Jewish representation includes Chagall, Judaica, Jewish historical subjects, and Signed in Silk: Introducing a Sacred Jewish Textile, an exhibition centered on an eighteenth-century Torah ark curtain. The museum also maintains a dedicated Judaica acquisition fund, an institutional commitment that stands out against peer institutions and strengthens the long-term context behind its collection.
Israeli representation is a major strength. Currents 119: Dana Levy was a dedicated solo exhibition of the Israeli artist, featuring new work, a concurrent media presentation, and related programming. The exhibition was supported by Artis. SLAM also maintains a strong Nazi-era provenance disclosure program covering relevant European paintings.
Visitors can reach the museum through general contact channels, but the research did not identify a dedicated bias-reporting mechanism. The museum notes that frontline staff does internally document any bias incidents and refers visitors to the Museum’s online comment form. Additionally, staff have internal options for reporting bias, harassment, or discrimination. Furthermore, staff-wide anti-discrimination and harassment training is conducted. The program covers all protected classes, but it does not explicitly mention antisemitism.
The museum reports that protests and solicitation are covered under a different policy that prohibits political activities, religious ceremonies, fundraising events for other institutions, commercial activities (such as selling books or CDs), or events or performances intended to be advertised to the public.
No public policy was found that explicitly prohibits antisemitism.
The Dana Levy exhibition’s Artis support and the museum’s collaboration with the St. Louis Jewish Book Festival give SLAM multiple genuine Jewish institutional partnerships. Programming includes the Book Festival’s Matisse at War conversation and related exhibition programs, though the record is not as sustained as at the strongest programming institutions.
SLAM recognizes several other heritage months but has historically not recognized Jewish American Heritage Month.
SLAM has meaningful strengths in Jewish and Israeli representation, provenance, and institutional partnerships, but important gaps remain. Public bias-reporting and antisemitism protections are limited, Jewish programming is not yet sustained, and Jewish American Heritage Month has historically gone unrecognized. These inconsistencies keep the museum in the “Work in Progress” category.
State of the Arts becomes an accessible public home for research, profiles, storytelling, and advocacy that can continue to grow over time.
If you are an artist, writer, performer or member of the arts and culture community who has experienced or witnessed antisemitism, bias or discrimination, please Report an Incident to ADL. If you are seeking legal support, you can also submit a request to ADL’s Legal Action Network.