Back

Gold Standard

Good Showing

Work In Progress

Not Inclusive

Critically Deficient

Saint Louis Art Museum logo

Updated:

Saint Louis Art Museum

Work In Progress

Work In Progress

Policies

Critically Deficient

  • Accessible Reporting Mechanism
  • Anti-Discrimination / Harassment Training
  • Prohibits Antisemitism
  • Protest & Solicitation Policy Inside the Galleries

Representation in Exhibitions, Collections & ProvenanceArt & Artists

Good Showing

  • Jewish Artist Representation
  • Israeli Artist Representation
  • Provenance Disclosure

Partnerships and Community Engagement

Good Showing

  • Jewish Institution Partnerships
  • Jewish Educational Programming
  • Jewish American Heritage Month Recognition
  • 0 / None
  • 1-49 / Subpar
  • 50-99 / Satisfactory
  • 100 / Excellent

Saint Louis Art Museum profile

Introduction

The Saint Louis Art Museum, located in Forest Park, traces its roots to 1879 and occupies a building originally constructed for the 1904 World’s Fair. Its encyclopedic collection spans thousands of years and cultures, and free general admission remains central to the museum’s public mission.

Art and Artists

Jewish representation includes Chagall, Judaica, Jewish historical subjects, and Signed in Silk: Introducing a Sacred Jewish Textile, an exhibition centered on an eighteenth-century Torah ark curtain. The museum also maintains a dedicated Judaica acquisition fund, an institutional commitment that stands out against peer institutions and strengthens the long-term context behind its collection.

Israeli representation is a major strength. Currents 119: Dana Levy was a dedicated solo exhibition of the Israeli artist, featuring new work, a concurrent media presentation, and related programming. The exhibition was supported by Artis. SLAM also maintains a strong Nazi-era provenance disclosure program covering relevant European paintings.

Policies

Visitors can reach the museum through general contact channels, but the research did not identify a dedicated bias-reporting mechanism. The museum notes that frontline staff does internally document any bias incidents and refers visitors to the Museum’s online comment form. Additionally, staff have internal options for reporting bias, harassment, or discrimination. Furthermore, staff-wide anti-discrimination and harassment training is conducted. The program covers all protected classes, but it does not explicitly mention antisemitism.

The museum reports that protests and solicitation are covered under a different policy that prohibits political activities, religious ceremonies, fundraising events for other institutions, commercial activities (such as selling books or CDs), or events or performances intended to be advertised to the public.

No public policy was found that explicitly prohibits antisemitism.

Community Engagement and Programming

The Dana Levy exhibition’s Artis support and the museum’s collaboration with the St. Louis Jewish Book Festival give SLAM multiple genuine Jewish institutional partnerships. Programming includes the Book Festival’s Matisse at War conversation and related exhibition programs, though the record is not as sustained as at the strongest programming institutions.

SLAM recognizes several other heritage months but has historically not recognized Jewish American Heritage Month.

Bottom Line

SLAM has meaningful strengths in Jewish and Israeli representation, provenance, and institutional partnerships, but important gaps remain. Public bias-reporting and antisemitism protections are limited, Jewish programming is not yet sustained, and Jewish American Heritage Month has historically gone unrecognized. These inconsistencies keep the museum in the “Work in Progress” category.