
Updated:
High Museum of Art
Critically Deficient
Behind the Frame
Behind the Frame evaluates 40 of the nation's leading art museums across three areas: their policies, their representation of Jewish art and artists and their partnerships and community engagement. These criteria assess a museum’s record and its current approach to addressing antisemitism. Collections and exhibitions reflect long-lead decisions museums plan five to ten years in advance, while policies and inclusion practices signal how prepared an institution is for the future and the evolving nature of antisemitism. Each museum receives a rating — from Critical Condition to Gold Standard — based on how it measures up.
As the ADL Center on Extremism has documented, extremist activists have facilitated coordinated efforts since October 7, 2023 to push Jewish and Israeli voices out of mainstream cultural spaces, with the impact felt at the staff, curator and visitor levels. Most American museums hold significant collections of Jewish art, but owning the work is not enough. Policies, programming and inclusion commitments must protect and feature Jewish artists, staff and patrons amid rising antisemitism. These criteria assess both a museum’s record and its current approach to addressing antisemitism.

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Gold Standard
Good Showing
Work In Progress
Not Inclusive
Critically Deficient

Updated:
Critically Deficient
Not Inclusive
Critically Deficient
Critically Deficient
The High Museum of Art is the leading visual arts museum of the Southeast and a central institution within Atlanta’s Woodruff Arts Center. Founded in 1905, the High’s collection includes American, European, African, folk and self-taught art, decorative arts and design, modern and contemporary art, and photography.
Jewish representation includes documentary photographs of Jewish life and history, work by Jewish artists, and images connected to the Holocaust and Jewish communities. The collection provides relatively meaningful Jewish representation.
Israeli representation is a major gap: the research did not verify Israeli artists in the collection or exhibitions. The museum also does not publish a Nazi-era provenance research program on its own site, leaving another important area of encyclopedic-museum stewardship underdeveloped.
The museum provides general visitor contact information but no dedicated mechanism for reporting bias or discrimination. Its code of conduct does provide strong restrictions on solicitation and assemblies that are inconsistent with museum use, giving it a clearer framework for political activity than many peers. No public policy was found that explicitly prohibits antisemitism.
The High has some institutional connections with Jewish museums. However, the research found no substantive Jewish educational programming.
The High does not generally recognize heritage months, so Jewish American Heritage Month is not separately scored.
The High has a foundation in Jewish collection representation and strong conduct rules, but much of the broader infrastructure is missing. Israeli representation, Nazi-era provenance transparency, direct Jewish partnerships, programming, and a dedicated reporting process would substantially strengthen its profile.
State of the Arts becomes an accessible public home for research, profiles, storytelling, and advocacy that can continue to grow over time.
If you are an artist, writer, performer or member of the arts and culture community who has experienced or witnessed antisemitism, bias or discrimination, please Report an Incident to ADL. If you are seeking legal support, you can also submit a request to ADL’s Legal Action Network.