
Updated:
Institute of Contemporary Art San Diego
Critically Deficient
Behind the Frame
Behind the Frame evaluates 40 of the nation's leading art museums across three areas: their policies, their representation of Jewish art and artists and their partnerships and community engagement. These criteria assess a museum’s record and its current approach to addressing antisemitism. Collections and exhibitions reflect long-lead decisions museums plan five to ten years in advance, while policies and inclusion practices signal how prepared an institution is for the future and the evolving nature of antisemitism. Each museum receives a rating — from Critical Condition to Gold Standard — based on how it measures up.
As the ADL Center on Extremism has documented, extremist activists have facilitated coordinated efforts since October 7, 2023 to push Jewish and Israeli voices out of mainstream cultural spaces, with the impact felt at the staff, curator and visitor levels. Most American museums hold significant collections of Jewish art, but owning the work is not enough. Policies, programming and inclusion commitments must protect and feature Jewish artists, staff and patrons amid rising antisemitism. These criteria assess both a museum’s record and its current approach to addressing antisemitism.

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Gold Standard
Good Showing
Work In Progress
Not Inclusive
Critically Deficient

Updated:
Critically Deficient
Critically Deficient
Gold Standard
Critically Deficient
The Institute of Contemporary Art San Diego is a non-collecting contemporary arts institution formed through the merger of Lux Art Institute and the San Diego Art Institute. With locations in Balboa Park and Encinitas, ICA San Diego describes itself as a living laboratory for contemporary art and ideas, with a strong emphasis on artists, education, and experimentation.
ICA San Diego’s strongest – and only high-scoring – area is Jewish and Israeli representation. One of the highlights is the officially announced Ava Aviva Avnisan: Specters of Home, scheduled to open October 3, 2026. The museum identifies Avnisan as Jerusalem-born to a Jewish-American father and a Jewish-Israeli mother, and the exhibition directly engages family memory, exile, displacement, and diaspora.
The museum provides a generic outreach email but no dedicated public mechanism for reporting bias or discrimination. No public policy was found that explicitly prohibits antisemitism and no public protest and solicitation policy was identified. Strengthening those basic safeguards would help ensure that new curatorial commitments are supported by a clear institutional framework.
The research did not identify sustained partnerships with Jewish institutions or a broader record of Jewish educational programming. ICA San Diego also does not generally recognize heritage months, so Jewish American Heritage Month is not separately scored.
ICA San Diego’s strong Jewish and Israeli representation is outweighed by significant institutional gaps elsewhere. The museum lacks sustained Jewish partnerships and programming, a dedicated bias-reporting mechanism, explicit antisemitism protections and clear public rules governing protests and solicitation. As a result, its engagement remains narrow and incomplete, supporting a low score.
State of the Arts becomes an accessible public home for research, profiles, storytelling, and advocacy that can continue to grow over time.
If you are an artist, writer, performer or member of the arts and culture community who has experienced or witnessed antisemitism, bias or discrimination, please Report an Incident to ADL. If you are seeking legal support, you can also submit a request to ADL’s Legal Action Network.