
Updated:
UC Irvine Langson Orange County Museum of Art
Work In Progress
Behind the Frame
Behind the Frame evaluates 40 of the nation's leading art museums across three areas: their policies, their representation of Jewish art and artists and their partnerships and community engagement. These criteria assess a museum’s record and its current approach to addressing antisemitism. Collections and exhibitions reflect long-lead decisions museums plan five to ten years in advance, while policies and inclusion practices signal how prepared an institution is for the future and the evolving nature of antisemitism. Each museum receives a rating — from Critical Condition to Gold Standard — based on how it measures up.
As the ADL Center on Extremism has documented, extremist activists have facilitated coordinated efforts since October 7, 2023 to push Jewish and Israeli voices out of mainstream cultural spaces, with the impact felt at the staff, curator and visitor levels. Most American museums hold significant collections of Jewish art, but owning the work is not enough. Policies, programming and inclusion commitments must protect and feature Jewish artists, staff and patrons amid rising antisemitism. These criteria assess both a museum’s record and its current approach to addressing antisemitism.

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Gold Standard
Good Showing
Work In Progress
Not Inclusive
Critically Deficient

Updated:
Work In Progress
Gold Standard
Not Inclusive
Critically Deficient
The UC Irvine Langson Orange County Museum of Art is located in Costa Mesa at the Segerstrom Center for the Arts and builds on the history of the former Orange County Museum of Art. Its collection and exhibition program have a strong focus on California and contemporary art, and its recent transition into UC Irvine gives the museum a new university-based institutional context.
Langson OCMA has some Jewish representation, with Jewish artists having been represented in recent collection-based exhibitions, including 13 Women: Variation I–IV (2022–2023), which featured works by artists including Philip Guston and Lee Krasner. The museum has also historically organized exhibitions engaging Jewish artists, including Jack Goldstein x 10,000, which subsequently traveled to The Jewish Museum in New York.
The museum also has Israeli and Israel-born artists represented in its permanent collection, including Shirley Shor and Yoram Wolberger. Shor’s Landslide (2004) is part of the museum’s permanent collection, acquired through a museum purchase in 2004, and Wolberger’s Madonna (2004) was acquired by OCMA in 2007.
The museum’s institutional structure changed significantly with its acquisition by UC Irvine. Under UC Irvine’s management, the museum adheres to the University of California systemwide anti-discrimination policy that includes regular anti-discrimination training and specifically references antisemitism. The museum also refers to the university process for policies governing protests and solicitation.
As a university-affiliated museum, directly linking the applicable campus reporting and conduct policies from the museum’s own site would substantially improve accessibility and clarity.
The museum reported that it does not have any partnerships with Jewish organizations or any specific Jewish educational programming.
The museum does not generally recognize heritage months, so Jewish American Heritage Month is not separately scored.
Langson OCMA already has critical policies in place through its affiliation with UC Irvine. The museum should now focus on fostering strong Jewish institutional partnerships and developing more Jewish educational programming.
State of the Arts becomes an accessible public home for research, profiles, storytelling, and advocacy that can continue to grow over time.
If you are an artist, writer, performer or member of the arts and culture community who has experienced or witnessed antisemitism, bias or discrimination, please Report an Incident to ADL. If you are seeking legal support, you can also submit a request to ADL’s Legal Action Network.